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Use a fixed white-balance reference when documenting coating work to distinguish colour changes from the camera’s automatic corrections.
Updated · NANOLAB Knowledge

Automatic white balance can make two photographs of the same painted panel look warmer or cooler. That becomes a problem when a coating comparison claims greater depth, a cleaner white or a change in colour. Stabilise the camera’s interpretation before interpreting the surface.
Place a suitable neutral reference in the same illumination as the inspected panel without touching fresh coating. Set a fixed white balance or retain raw files with a documented reference-based conversion. Keep the light source, camera and processing settings consistent.
A reference card illuminated by a different lamp from the paint is not a reliable correction for that paint. Mixed daylight and workshop lighting can also change during the job. Either control the mixture or document separate sessions.
Imagine a white vehicle photographed before coating under cool ceiling lights and afterwards beside an open door at sunset. The warmer after image cannot establish that the coating changed the paint colour. Repeat under comparable illumination before drawing that conclusion.
A fixed white balance does not solve every issue. Exposure, reflections, viewing angle and the surrounding colours still influence the image. It also does not turn a camera into a calibrated colour-measurement instrument.
Apply the same conversion settings to comparable photographs. Keep any creative colour grading separate from the technical comparison. For a disputed colour change, arrange direct inspection and appropriate colour measurement rather than relying on separately edited phone pictures.
Ask NANOLAB about your surface and intended use. For application and care, use the current instructions for the exact product.

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